摘要
建档是音乐类非物质文化遗产保护的重要途径之一,然而,目前许多非遗建档实践在传承与传播概念上存在混淆。为了厘清两者之间的关系,更好地引导建档有效地用于非遗传承与保护,本文对档案在音乐类非遗中的应用布局进行了梳理分类。面向音乐类非遗建档应用的现状,提出目前存在的四个误区:1)将提高社会认知度视为非遗传承的途径;2)将档案利用环节理解为提供公共文化服务;3)将主流化视为音乐类非遗建档的设计思路;4)将数字化视为集成音乐类非遗档案的风口。并针对上述误区,从音乐类非遗建档的价值定位、工作重点、设计思路和数字环境下的发展反思等方面提出了相应的建议。
Archiving is one of the important ways to protect the Musical Intangible Cultural Heritage(MICH).However,at present,many archival practices of MICH are confused in terms of inheritance and dissemination.In order to clarify the relationship between these two terms and better guide the archiving practices for effective MICH inheritance and protection,this paper sorts out the application layout of MICH archives.Aiming at the current status of the application of MICH archives,it puts forward four misunderstandings existing in current related literatures:1)considering raising social awareness as a MICH inheritance approach;2)understanding the exploitation of archives as providing public cultural services;3)thinking of mainstreaming as a design idea for MICH archives;4)thinking of digitalization as the outlet for integrating MICH archives.In view of the above-mentioned misunderstandings,corresponding suggestions are put forward from the aspects of value positioning,work focus,design ideas,and development reflection in the digital environment.
作者
刘琉
王露露
孔德民
Liu Liu;Wang Lulu;Kong Demin(School of Arts,Renmin University of China,Beijing 1000872;School of Information Resource Management,Renmin University of China,Beijing 1000872;China Conservatory of Music,Beijing 100101)
出处
《档案学研究》
CSSCI
北大核心
2020年第2期90-97,共8页
Archives Science Study
关键词
音乐类非物质文化遗产
建档
文化传承
文化传播
music intangible cultural heritage
archiving
cultural inheritance
cultural communication
