摘要
建筑理论家柯林·罗与罗伯特·斯拉茨基提出透明性之初就引起建筑学术界的轰动与争议,之后被众多学者进行引申使用。而在当代,对这一概念的解读与应用易发生研究前提、哲学基础与适用范围的混淆。本文就"透明性"概念的产生和发展进行阐述,针对文学、视觉艺术等平行学科中的概念内涵以及不同时代背景下的学术阵营与不同观点进行梳理。通过分析不同时空维度中透明性的形成特征与共性,提出此理论的本质是引发一种时间-空间认知的变革,其内核价值在于时空关联与主客体交互统一过程中对空间的塑造作用、单层空间要素价值的平等性、差异要素与结构的整体增值性,进而强调这一视角的独特性、有益性及设计应用价值。
Colin Rowe and Robert Slutzky put forward the concept of transparency, which caused a sensation and controversy in the architectural academia, and then was extended and used by many scholars. However,the interpretation and application of this concept are usually prone to confusion of research premise, philosophical basis and scope of application. In this paper, the emergence and evolution of the concept of "transparency" was elaborated. Different views of academic camps were illustrated. Based on different dimension analysis, the essence of this theory is put forward, which is to bring about a change in space-time cognition. Its core value lies in emphasizing the interaction of subject and object in shaping space, the equality of different layers, and the increment of the whole space, which will benefit further thinking and application.
出处
《建筑创作》
2020年第1期76-85,共10页
ArchiCreation
基金
国家自然科学基金项目(51908035)
北京市社会科学基金项目(19YTC040)
中央高校基本科研业务费专项资金资助(BLX201810)
中国博士后科学基金面上项目(2019M650016)。
关键词
透明性
时空认知
关联性空间
视知觉
transparency
cognition of space and time
relational space
visual perception
