摘要
通过对3组位置媒介项目的分析,可以看到:利用现象性制图、注释性制图和策略性制图,位置媒介能够杂合外部视角与内部视角、俯瞰视角与地面视角、技术视角与叙事视角,营造出具有流动、拼接、歧异、含混、新奇、陌生等特征的新场所经验。由位置媒介特别是那些兼具艺术探索性和社会参与性的位置媒介项目所开启的新制图学,对于重审媒介与城市的复杂关系和新媒介艺术的公共价值,具有一定启示。
By the analysis of three projects of locative media,it demonstrates that new experience of place characterized by flow,collage,diversity,ambiguity,novelty and strangeness can be produced by the use of phenomenal mapping,annotated mapping and strategic mapping,in combination with external and internal,aerial and ground,technical and narrative perspectives.The pioneering method of mapping initiated by locative media,especially for those both artistically exploratory and socially participatory,is enlightening for rethinking the complex relationship between media and city and the public value of new media art.
出处
《建筑学报》
CSSCI
北大核心
2020年第5期101-107,共7页
Architectural Journal
关键词
位置媒介
场所营造
制图
视差
城市空间
媒介化
locative media
place making
mapping
different visions
urban space
mediatization
