摘要
现代艺术史上,农民长期以来处于失语的地位,经常被主流艺术塑造成阶级或者意识形态的代言人,农民真实的身份一直处于被遮蔽的状态。从罗中立开始,才在艺术中揭示了农民真实的存在。随着社会的转型,农民的社会身份日益低下,这种揭示在忻东旺的创作中达到了高峰。谢宏军的创作延续了这一条路,在底层的乡村诊所这个特别的社会空间里塑造了有病的一群。他们的疾病既是生理的也是心理的,既是身体的也是时代的,既是个体的更是社会的。他们的症候是苏北大地的症候,农民群体的症候,更是时代和社会的症候。
In the history of modern art,the peasants have been in a position of aphasia in a long time,as well as often portrayed as class or ideological spokesmen by official art,then their real identity is obscured.Only from Luo Zhong li was the being of the peasants revealed.With the transformation of society,the social status of farmers is getting lower and lower,it reached a peak in Xin Dong wang's creation.Xie Hong jun's creation continued this path,he created a sick group in the village clinic of the underground class,where is a special social space.Their disease is both physical and psychological,both physical and contemporary,both individual and social.Their symptoms are the symptoms of the land in northern Jiangsu,the symptoms of the peasant groups,and the symptoms of the times and society.
作者
亢宁梅
Kang Ning mei(College of Liberal Arts,Huaiyin Normal University,Huai'an,Jiangsu,223001)
出处
《内蒙古艺术学院学报》
2020年第2期155-160,共6页
Journal of Inner Mongolia Arts University
基金
江苏高校哲学社会科学研究重点项目“基于现代性与审美现代性视阈中的苏北地方文化形象话语体系研究”(项目编号:2017ZDIXM032)阶段性成果。
关键词
艺术史
农民
存在
症候
Art history
The peasants
Being
Symptoms
