摘要
崇高是一个重要的美学范畴。对崇高的研究,一方面要考察其概念的发展史,另一方面要考察崇高进入文学艺术作品中,被人们关注的情况。崇高原本只是美的一种,而到了欧洲18世纪,与美相对立的崇高范畴出现,其机制得到了理论的阐释。崇高范畴的适用范围,经历了从伟大的风格,到对自然的感受,再到现代艺术中对平庸的克服的过程。在艺术走向后现代、走进新媒体、走入日常生活之时,崇高作为一种原创、实现不可能和主体对客体在精神上的克服,会焕发出新的活力。
The concept of the sublime is an important category of aesthetics. Research on the sublime ought to focus on the evolution of this concept throughout history, and also on the ways it has been viewed in different literary and artistic works at the same time. Initially, the sublime was merely a type of beauty. In the 18 th century, as a category of aesthetics distinct from beauty, the sublime gave rise to various theoretical interpretations. The sublime was first understood as greatness of style, then as feeling for nature, and in modern art, it has been used to overcome banality. As art enters the post-modern age, as it plays an increasingly important role in everyday life, and as artworks are created with new media technologies, the concept of the sublime has taken on a new significance. As an original force, the sublime will fulfill the impossible, and will allow the subject to carry out the spiritual conquest of its object.
作者
高建平
Gao Jianping(School of Humanities,Shenzhen University,Shenzhen 518060)
出处
《浙江社会科学》
CSSCI
北大核心
2020年第8期113-117,159,共6页
Zhejiang Social Sciences
基金
国家社科基金重大项目“美学与艺术学关键词研究”(17ZDA017)
国家社科基金重大项目“新时代中国特色美学基本理论问题研究”(18VXK010)阶段性成果。
关键词
崇高
伟大
原创
the sublime
greatness
originality
subjectivity
