摘要
村上春树始终着眼于现代人的精神危机,用幻想模式的创作素材,通过纵横交错的"历史"叙事,为读者提供了一种理性所难以解释的、人类心灵的共同体验。在《奇鸟行状录》主人公复杂交错的人际关系中,女性他者起到了引领主人公克服心理危机、走向自性实现的特殊作用。结合荣格的无意识原型和个性化理论,分析主人公对女性他者的认知、区分及同化以达到自性整合,进而走向个性化的过程,有助于解读村上春树对人的自性实现及精神救赎的深入思索。
With the creative materials of fantasy mode and the crisscross "history" narrative,Haruki Murakami always focuses on the spiritual crisis of modern people,providing readers with a community experience beyond the scope of consciousness understanding and human soul. In the complex and interlaced interpersonal relationships of the protagonist in The Wind-up Bird Chronicle,female’s the other plays a special role in leading the protagonist to overcome the psychological crisis and to realize his self-nature. Combining Jung’s unconscious prototype with the "individuation" theory,it analyzes the protagonist’s cognition,differentiation and assimilation of female’s the other to achieve self-integration and personalization, which helps to interpret Murakami’s in-depth thinking on the realization of human self-nature and spiritual salvation.
出处
《广东外语外贸大学学报》
2020年第4期82-91,158,159,共12页
Journal of Guangdong University of Foreign Studies
基金
广东省哲学社会科学“十三五”规划学科共建项目“多元文化对峙下村上春树的焦虑——村上春树小说中的‘他者’与自我认同”(GD17XWW27)。
关键词
自性实现
个性化
原型
他者
selfrealization
individuation
archetype
the Other
