摘要
作为人类世的核心表征,气候变化往往难以捉摸,这源于气候事件在因果上的时空错乱,也是人类世叙事面临的一大挑战。克朗肖提出的“推想记忆”可以巧妙应对时空尺度的错位,使气候叙事中的过去、未来与当下得以合理联结。在短篇小说《柽柳猎人》中,巴奇加卢皮将“推想记忆”手法具象化,通过为洛罗、特拉维斯和安妮三个主要人物设计景观记忆和创伤记忆,将传统时空尺度下隐而不见的慢性暴力和“乡痛”病症呈现出来。作者通过记忆书写自然,有力地揭露人类征服自然欲望的无限膨胀,以及在求生和求利欲望的驱使下出现的自然资源政治化、生命操控现象,从而完成对人类世时代面貌的推想、呈现以及“病因”的诊断。
Climate change,the key representation of the Anthropocene,is usually described as“elusive”because of the spatiotemporal derangement of cause and effect of climate change events,and is also regarded as a great challenge for the Anthropocene narrative.The“speculative memory”proposed by Richard Crownshaw turns out to be an effective literary device in dealing with such derangement and makes it possible to reasonably link the past,future and present in climate change narrative.In“The Tamarisk Hunter”,Bacigalupi visualizes the“speculative memory”by creating landscape memory and traumatic memory for the three main characters—Lolo,Travis and Annie to unveil the slow violence and“solastalgia”hidden in the traditional time-space dimension.Through memory writing,the author effectively reveals the infinite expansion of human desire to conquer nature,depicts the politicization of natural resources and the manipulation of life driven by the desire to survive and seek profits,and makes a final touch of speculating and showing what the Anthropocene era is like while diagnosing the disorders.
作者
葛悠然
姜礼福
Ge Youran;Jiang Lifu
出处
《鄱阳湖学刊》
2020年第4期77-84,127,共9页
Journal of Poyang Lake
