摘要
目的分析后人类时代下艺术家们通过通用人工智能技术去创作具有智能化的艺术作品的方式。智能化技术对艺术家的创作来说不仅仅是技术实施的工具,同时机器视觉也已成为创意思维的组成机制,建构了从“不可见”到“可见”的新视觉文化体系。方法在后人类赛博格语境中,从创作设计的智能技术路径、作品交互体验类型的维度,探讨算法和数据作为智能化艺术作品的两个面向;对自然界中的风力、河流等数据可视化,所应用的算法和采集的数据是使艺术作品具有智能化运行的关键因素。从自身艺术创作的智能化动态艺术装置“机器的皮肤”的机制出发,分析具有自主智能艺术的相关文献与作品特征;探索传感器的介入,以及创作者、智能艺术作品与观众的交互联结的产生途径。结论描绘了人工智能系统的参与,艺术家身份的转换;分析了自然数据、传感器输入和交互互联在智能技术参与下的艺术创作方法。
The paper aims to analyze how artists in the post-human era create intelligent art through general artificial intelligence technology.Intelligence technology is not only a tool of technology implementation for artists’creation but also a mechanism of creative thinking,which constructs a new visual culture system from“invisible”to“visible”.In the context of post-human Cyborg,the two aspects of algorithm and data as intelligent art were discussed from the perspectives of the intelligence technology path of creation and design and the interactive experience type of works.For the visualization of wind power,rivers,and other data in nature,the algorithm applied and the data collected were the key factors to make the artworks run intelligently.Starting from the mechanism of the intelligent dynamic art installation“Skin of the Machine”created by the author,this paper analyzed the relevant literatures and the characteristics of works with autonomous intelligent art and explored the involvement of sensors,how the interactive connection among creators,intelligent artworks and the audience was generated.This paper depicts the participation of an artificial intelligence system and the transformation of artist identity,also analyzes the artistic creation methods of natural data,sensor input,and interactive interconnection with the participation of intelligence technology.
作者
郑达
艾敬
刘晓丹
ZHENG Da;AI Jing;LIU Xiao-dan(Central China Normal University,Wuhan 430070,China)
出处
《包装工程》
CAS
北大核心
2020年第18期12-21,共10页
Packaging Engineering
基金
中央高校基本科研业务费项目(KYSK02072019-0033)。
