摘要
广场舞不仅是一项全民健身活动,也是一种社会现象,对广场舞引发的利益冲突现象的阐释要深入分析广场舞参与者的社会心理。运用个案研究法和逻辑分析法,通过对×广场舞队成员的访谈,立足于当前中国社会多元文化并存的这一特征,探讨×广场舞队的老年女性参与者的自我角色冲突。研究认为:当前中国社会同时存在中华民族传统文化、中国社会主义社会集体主义文化和西方文化,受这3种不同文化影响的×广场舞队老年女性参与者的不同自我角色相互冲突。×广场舞队老年女性参与者面对多重自我角色冲突时,要进行自我角色调适。×广场舞队的伴奏音乐扰民冲突体现了某市某社区中的居民对社区公共场所中的广场舞活动的赞同性共识的缺失,对广场舞伴奏音乐扰民冲突的解释与多元文化背景下的“多元化解释”相关。×广场舞队的老年女性参与者在个人层面出现多元社会文化认知混融、多重自我角色共存现象,×广场舞队的老年女性参与者个人对“广场舞伴奏音乐扰民”解释中的自我角色意识缺乏被其他居民共认的解释依据,其自我角色是多元文化“嫁接”形成的,“主我”与“客我”难以统一。×广场舞队的老年女性参与者个人在广场舞活动中要采取“一般化的他人”的态度,在内心要形成利益冲突时的程式化反应。当社区其他居民对该广场舞伴奏音乐引发利益冲突的同一情境作出一致解释时,“主体间性”会随之出现,广场舞活动才能正常进行。
Square dance is not only a national fitness activity,but also a social phenomenon.To explain the conflict of interest caused by square dance,we should deeply analyze the social psychology of square dancers.Through interviewing the members of a square dance team with the method of case study and logical analysis,based on the coexistence of multiple cultures in the current Chinese society,this paper discusses the self-role conflict of the elderly female dancers in the square dance team.According to the research,Chinese traditional culture,Chinese socialist collectivism culture and Western culture exist simultaneously in the current Chinese society,and the different self-roles of the elderly female square dancers from the square dancing team under the influence of these three different social cultures are in conflict.When the elderly female square dancers of the square dancing team were confronted with multiple self-role conflicts,they had to adjust their self-role.The conflict of the square dance team’s accompanying music disturbance reflects the lack of consensus of different residents in the communities of the city for the square dance activities in the community public space.The interpretation of the square dance accompanying music disturbance is related to the“diversified interpretation”under the multicultural background.Elderly women dancers of the square dancing team exhibit a phenomenon of mixed multi social and cultural cognition and coexisting multiple self-roles at the individual level,who lack of self-consciousness for other residents consensus based on the interpretation of“square dance accompanying music is a nuisance”,where their self-role construction is the product of diverse social and cultural“grafting”,and it is difficult to unity“I”and“me”.These elderly female square dancers of the square dancing team should adopt the attitude of“generalized others”in the square dance activities,and form the stylized response of interest conflict psychologically.When other residents of the community have a consistent understanding and interpretation of the same situation of interest conflicts caused by square dancing accompanying music,“inter-subjectivity”will appear accordingly,and the square dancing of different residents of the community can proceed normally.
作者
王立志
陆小聪
WANG Lizhi;LU Xiaocong(Shanghai University,Shanghai 200444,China.)
出处
《首都体育学院学报》
CSSCI
北大核心
2020年第5期407-411,430,共6页
Journal of Capital University of Physical Education and Sports
基金
国家社会科学基金项目(17BTY004)。
关键词
广场舞
自我角色冲突
文化多元化
全民健身
音乐扰民
square dancing
self-role conflict
cultural diversity
national fitness
music noise
