摘要
区别于宏观、静态、扁平化的传统“鸟瞰”式城市感知方式,以“游荡”为特征的行走实践已成为当代城市体验的新形态。从波德莱尔、本雅明到德赛杜,“游荡”这一意象完成了从文学形象塑造、现代性批判再到社会学研究的转变历程。在当下,虽然狭义上的“游荡者”个体日渐衰落,但更广义上的“游荡性”行走却成了城市中一种普遍的文化实践范式。在现代性与消费主义的双重背景下,其通过行人尺度下的路线规划与场所连接、震惊体验与信息收集中的文化景观构筑、以补偿性体验为基础的个体经验书写、由消费与表演构成的参与性互动等多重方式,共同完成着对城市文化的建构。
Different from the macro,static and flat traditional bird eye view,the walking practice characterized by"wandering"has become a new form of contemporary urban experience.From Baudelaire,Benjamin to de Certeau,the concept of"Flaneur"has completed the process of transformation from literary image building,modernity criticism to sociological research.At present,although the"wandering"individuals in a narrow sense are declining,the"wandering"walking in a broader sense has become a universal cultural practice in the city.Under the dual background of modernity and consumerism,the city completes the construction of urban culture by the way of pedestrian scale route planning and site connection,cultural landscape construction by creating shocking experience and providing information collection,individual experience writing based on compensatory experience,and participatory interaction composed of consumption and performance.
作者
王智洋
WANG Zhiyang(College of Cultural Industries,Nanjing University of the Arts,Nanjing Jiangsu 210013,China)
出处
《重庆文理学院学报（社会科学版）》
2020年第5期91-102,共12页
Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)
关键词
城市文化
感知与建构
游荡性实践
游荡者
urban culture
perception and construction
wandering practice
Flaneur
