摘要
自2014年"别现代"概念被提出以来,由于该理论的逐渐丰满,已经从学术热词逐渐演变成为了具有高度辨识性的专有学术名词,"别"(Bie)由于其丰富的汉语内涵给予了以中国为代表的非西方国家不同视角的现代性认识。从阐释学来看,"别现代"作为一个创造性的学术名词也开辟了从认识论到本体论的美学拓展。过去在西方中心主义主导下,非西方国家更多地依赖西方理论话语来阐释本土现象,如"元"(meta)与"后"(post)的滥觞,几乎成为解释各种美学现象、艺术作品的基本认识框架,因而难以形成自己独立的话语体系,而"别现代"的出现与"别"字巨大的蕴涵空间,使"别"成为在"元"与"后"之间的一个新的理论认知视角。
Since the concept of"Bie-postmodernism"was put forward in 2014,due to the gradual maturing of the theory,the"Bie-postmodernism"has gradually evolved from a hot word in academic circle to a highly distinguishable academic term.With its rich connotation,the Chinese character"BIE"has given different perspectives of modernity to non-western countries represented by China.From the perspective of hermeneutics,the"Biepostmodernism",a creative academic term,has also broke new ground in epistemology and ontology.In the past,under the dominance of western centralism,non-western countries extensively relied on Western theoretical discourse to explain local phenomena,such as the clichéof"meta"and"post",which almost became the basic cognitive framework to explain various aesthetic phenomena and artistic works,making it difficult to form their own independent discourse system.However,the emergence of"Bie-postmodernism"and the broad implication potential of"BIE"empower the"BIE"to become a new theoretical cognitive perspective between the"meta"and the"post".
作者
周韧
ZHOU Ren(Shanghai Normal University)
出处
《中国政法大学学报》
CSSCI
2020年第5期173-183,F0003,共12页
Journal Of CUPL
基金
国家社科基金项目“别现代语境中的英雄空间解构与建构问题研究”(15BZW025)
上海高水平地方高校创新团队研究成果。
