摘要
通过梳理众多学者关于建构中国电影学派代表性的论述,可阐释学界关于学派的三种观点:一种认为中国电影学派是广义上的,它是中国电影的国家品牌,对内凝聚共识,对外标识特色;第二种认为中国电影学派是狭义上的,它是由众多学者组成的试图构建一个知识体系的学术派别;第三种则试图调和广义和狭义的观点,将中国电影学派视为一个动态的文化运动。以辨章学术、考镜源流的态度,可分别对三种观点予以梳理,以探讨建构中国电影学派如何可能。
Three sorts of opinions can be summarized through a literature review of the representative arguments for building Chinese school of film studies.One opinion holds that Chinese school of film studies is a general concept and a national brand,which pulls together domestic consensus and presents to the outside world unique Chinese characteristics.The second opinion holds that Chinese school of film studies is a narrow concept and a school of knowledge system constructed through the attempt by multitudes of Chinese scholars.The third opinion is a compromise of the above two opinions,which regards Chinese school of film studies as a dynamic cultural movement.The three types of opinions are sorted out in the attitudes of clarifying opinions and origins so as to explore how Chinese school of film studies can be built.
作者
冯果
王珂
FENG Guo;WANG Ke(Shanghai Film Academy,Shanghai University,Shanghai 200072,China)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2020年第6期34-48,共15页
Journal of Shanghai University(Social Sciences Edition)
基金
国家社会科学基金艺术学重大项目(19ZD11)。
关键词
中国电影
学派
品牌
知识体系
Chinese film
school of studies
brand
knowledge system
