摘要
“器用宜称”是宋代国家坛庙祭祀礼器酌定范式和制造颁行的重要标准所谓“上法先王之意,下随当世之宜;稽古而不迂,随时而不陋”既尊仿古制,又斟酌时风。由宋至明,国朝大礼的器用体系均体现出既法三代古制、又应当世之变的精神论文拟从礼器整理和礼图考证入手,以国家典仪中“鼎”的发展为线索,探讨礼器著录与研究的不同系统在宋以降国家礼器颁定与实践中的交互影响;并通过梳理日用燕器对传统礼器体系的替换和补充,管窥礼制建设的从宜之变。
In Song Dynasty,appropriateness was an important standard for the design and manufacture of ritual vessels used in national temples during sacrificial ceremonies.It involved inheriting concepts of the ancestors,following contemporary conventions,referring to constructive precedents flexibly,and keeping up with changes with decency.Such a standard demanded respecting and upholding traditions as well as taking ongoing trends at the moment into consideration.From Song Dynasty to Ming Dynasty,systems concerning ritual vessels used in grand national ceremonies were all modeled on traditions but also adjusted to changing circumstances.This article starts with categorizing ritual vessels and examining San Li Tu.Taking Ding used in national ceremonies as a clue,the author explores how different systems of ancient codes and records on ritual vessels and researches alternately influenced the selection and use of national ritual vessels after Song Dynasty.The author also demonstrates the way ritual system changed and developed by listing how utensils used in banquets substituted and supplemented traditional ritual vessels.
出处
《华夏考古》
CSSCI
北大核心
2020年第6期54-68,共15页
Huaxia Archaeology
基金
北京市教委青年哲学社科创新团队项目“冥界与乐土:唐宋墓葬仪制与佛教美术的交融互动”成果。
关键词
礼器
鼎
稽古
从宜
宋至明
Ritual Vessels
Ding
Reference to Constructive Precedents
Appropriateness
Song to Ming Dynasties
