摘要
意大利电影《天堂电影院》(1988)的结束事件确保了叙事形式的完整和圆熟,四十七个"接吻"镜头关闭了所有的叙事因果关系。观者在银幕上投射自己的情感,弥补了情感缺憾。结束事件使得电影引文完整呈现,叙述者的电影致敬圆满完成,并巧妙地建构了观者"梦中梦"的套层文本。
The ending event of the Italian film"Nuovo Cinema Paradiso"(1988)ensures the integrity and maturity of the narrative form.Forty-seven"kissing"scenes close the narrative causality of all events,in which the audience project their emotion on the screen to make up for their emotional deficiency.The ending event makes the film citation and movie homage complete,and constructs skillfully the overlay text of the audience’s"dream in dream".
作者
刘勇
LIU Yong(School of Literature and Media,Taishan University,Taian,Shandong 271000)
出处
《泰山学院学报》
2020年第6期83-87,共5页
Journal of Taishan University
关键词
托尔纳托雷
《天堂电影院》
文本
叙事
白日梦
Giuseppe Tornatore
"Nuovo Cinema Paradiso"
text
narration
day dreaming
