摘要
本文以精神分析理论切入,对2020年现象级的国产悬疑剧《隐秘的角落》进行潜意识层面的深入解读。本文指出《隐秘的角落》在文本表象下,潜藏着对心理防御机制催生的“退行巨婴”、潜意识编织的“白日梦”“三我”模型内的人性角逐的隐喻表征;剧中角色在“镜像理论”和“耻感文化”下催生了对“暗黑童话”的想象性创造;本文最后指出“影子主角”的极致反转和审美欲望的“隐性置换”是《隐秘的角落》给予观众影像快感的重要来源。
In this paper,the psychoanalytic theory is used to analyze on Cat’s Cradle,an online thriller drama in 2020.It points out that under the textual phenomena,there are the metaphor symbols for the psychological defense mechanism of the“regressive giant baby”,the“daydream”woven by sub-consciousness,and human nature competition in the model of“three selves”,and under the“mirror theory”and the“shame culture”,the characters in the drama give birth the imaginative creation of the“dark fairy tale”.Finally,it points out that the ultimate reverse of the“shadow protagonist”and the implicit replacement of aesthetic desire are the important sources of video pleasure given by Cat’s Cradle.
出处
《南京师范大学文学院学报》
2021年第1期108-117,共10页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社科基金重大招标项目“中国现代电影文学资料发掘、整理与资源库建设”(编号:18ZDA262)。
关键词
《隐秘的角落》
悬疑剧
精神分析
潜意识
Cat’s Cradle
online thriller drama
psychoanalytical theory
sub-consciousness
reverse
