摘要
现实主义在电影批评中的意义指涉与话语位置在一定程度上勾勒了中国电影的发展历程与历史局限。近年来,强势回归的现实主义电影呈现出新的面貌与特征。电影创作的演变倒逼文艺理论作出及时回应,对现实进行追问、剖析、反思已迫在眉睫。新世纪以来,现实主义电影在表征现实的路径上分化发展,呈现出条条道路通罗马的整体图景,但显著的内容倾向与固定的表达程式又贯穿其发展始终。在写实式、隐喻式、魔幻式、类型化、作者式的路径中,资本原罪与底层反抗成为现实主义电影展演现实、批判现实的矛头与靶向。
The significance reference and discourse position of realism in film criticism have,to a certain extent,outlined the development process and historical limitations of Chinese films.In recent years,the strong return of realism film has a new look and characteristics.The evolution of film creation forces literary theory to respond in time,so it is urgent to ask,analyze and reflect on the reality.Since the beginning of the new century,realistic films have been developing in the way of representing reality,showing the overall picture that all roads lead to Rome,but the obvious content tendency and fixed expression formula run through its development.In the realistic,metaphorical,magical,typological and author like path maps,the original sin of capital and the resistance of the bottom become the spearhead and target of realistic films to show the reality and criticize the reality.
作者
彭涛
彭晨
PENG Tao;PENG Chen(School of Journalism and communication,Central China Normal University,Wuhan Hubei 430079;School of Arts,Central China Normal University,Wuhan Hubei 430079)
出处
《艺术百家》
CSSCI
北大核心
2021年第2期152-158,共7页
Hundred Schools In Arts
基金
2014年度国家社科基金艺术学项目“新媒体语境下主流电影发展战略研究”(编号:14BC029)阶段性成果之一。
