摘要
2020年度的中国艺术人类学研究,其理论性和实践指导性明显增强,重视研究理念的更新,关照艺术事象的历史发展脉络与现代社会变迁的互动,关注艺术的传承与为适应现代性发展所做的调适,重视不同艺术民族志个案的比较研究和多点艺术民族志研究。一批具有中国范式的艺术人类学理论涌现出来,对人类学乃至整个人文社会科学的研究均产生了启示意义。人类学与当代艺术的交流与互动日益频繁,引发当代艺术出现了一些新变化。以学术研究和艺术的力量为乡村振兴提供助力,使在地的文化艺术资源得到发掘和利用。文化遗产研究的国际化趋势凸显,关注国际文化遗产领域的前沿问题,致力于解决中国保护实践过程中出现的新问题。
The studies of anthropology of arts in China in 2020 saw strengthened theories and practical instructions. Several characteristics can be seen: the renewal of research concepts is emphasized, the interaction between the historical development of artistic issues and contemporary social changes is considered, the adaptation of the inheritance of arts for modern development, the emphasis on the comparative studies of multiple ethnographies of arts and multi-sited ethnographies of arts. A series of theories of Chinese anthropology of arts emerged with significant meanings for both anthropology and humanities and social sciences as a whole. The communication and interaction between anthropology and contemporary arts is intensified so that new changes emerge in contemporary arts. Academic and artistic powers are engaging with rural revitalization so as to explore and use local cultural and artistic resources. The internationalization of cultural heritage becomes obvious and the frontier issues of cultural heritage are concerned in order to address the new issues emerging from the process of Chinese protection of cultural heritage.
作者
王永健
Wang Yongjian(the Institute of Art Studies,Chinese National Academy of Arts,Beijing,100012)
出处
《民族艺术研究》
CSSCI
2021年第2期117-124,共8页
Ethnic Art Studies
关键词
艺术人类学
田野调查
艺术民族志
乡村振兴
文化遗产
anthropology of arts
fieldwork
ethnography of arts
rural revitalization
cultural heritage
