摘要
粤剧是一种被社区“视为其文化遗产”的文化形态,它的孕育、传承、发展都离不开社区。在现代化发展进程中,粤剧与社区各自发展的不平衡、不同步,导致了二者关系的错位与裂缝。从传统血缘性、地缘性、教缘性社区中孕育、发展起来的粤剧,很难被现代业缘性、契约性、契约性社区持续认可、传承。以趣缘、业缘为主发展起来的粤剧私伙局,在很大程度上弥补了粤剧社区传承的裂缝问题,既是联系不同社区、不同粤剧之间关系的重要纽带,又是维护民俗粤剧、传承遗产粤剧、发展艺术粤剧的重要力量。
Cantonese opera is a cultural form which is regarded as its cultural heritage by the community.In the process of modernization,the imbalance and unsynchronization between Cantonese opera and community development lead to the dislocation and crack of their relationship.The Cantonese opera,born and derived from its blood,geographical and business-based community,is difficult to be recognized and inherited by the modern business-based contractual community.To a large extent,the Sihuoju of Cantonese opera,which is mainly developed by hobby and business-based community,bridges the crack in inheritance of Cantonese opera community.It is not only an important link between different communities and different Cantonese opera,but also an important role in maintaining the folk custom,inheriting the heritage and developing the art of Cantonese opera.
作者
宋俊华
SONG Jun-hua(The department of Chinese language and literature,Sun Yat-sen University,Guangzhou 501275,China)
基金
国家社会科学基金重大项目(17ZDA168)
教育部人文社科重点研究基地重大项目(17JJD850005)。
关键词
私伙局
粤剧
社区
裂缝
传承
Sihuoju
Cantonese Opera
community
crack
heritage
