摘要
宋代民俗文化对瓷器美学的蕴藉生发产生了多元互渗作用,使其具有日常生活审美化和审美意象的本体性特征。火神与窑神崇拜对瓷器烧制匠人的心理态势、精神状况和意志品质具有积极效能,影响了瓷器美学的意会性审美接受过程;宋代袭奉火德,五行相生理论促进瓷器窑火兴旺,赋予瓷器空灵神秀的美学气质;宋代道教青词创作文化有助于青瓷审美风尚的建构发展;神仙信仰和饮食习俗、俚语传播则增强了瓷器美学的膜拜价值和传播效应。
The folk culture of Song Dynasty produced a multi-infiltration effect on porcelain aesthetics,giving porcelain essential characteristics of daily life aesthetics and aesthetic images.The worship of the fire god and the kiln god has a positive effect on the psychological state,spiritual state and will quality of porcelain craftsmen,and it has an influence on the process of porcelain aesthetic acceptance.Song Dynasty inherited the ethical tradition of worshipping the god of fire;the Five Elements theory promoted the prosperity of porcelain kilns and endowed porcelain with an ethereal and graceful aesthetic temperament;the Taoist"celadon"prayersculture in Song Dynasty contributed to construction and development of the aesthetic fashion of celadon;immortal beliefs,dietary customs and the spread of slang have enhanced the worship value and spreading effect of porcelain aesthetics.
作者
李金来
LI Jin-lai(College of Culture and Media,Guiyang University,Guiyang Guizhou 550005,China)
出处
《廊坊师范学院学报（社会科学版）》
2021年第2期30-33,共4页
Journal of Langfang Normal University(Social Sciences Edition)
基金
国家社科基金艺术学西部项目“宋元时期中泰瓷器艺术比较研究”(18EG218)阶段性成果。
关键词
宋代民俗文化
瓷器美学
审美意象
folk culture of Song Dynasty
porcelain aesthetics
aesthetic image
