摘要
通过对近年来东北农村题材电视剧作品的分析和研究,发现在期待视界美学论域下,部分东北农村题材电视剧的创作与受众期待视界呈现一定程度上的分歧,诸如表现生活肤浅、主题意蕴缺少厚重,情节设置人为性、叙事偏颇小品性,农民形象失真、世俗符号性较强,等等。认为电视美学需纳入受众期待理论,农村题材电视剧的创作更应自觉建立期待规约,实现作品思想性、艺术性与观赏性相融合,从而提升创作质量、寻求更好的发展。
Based on the analysis and research of TV drama works with rural theme in Northeast China in recent years,this article finds out that under the aesthetics theory of expectation horizon,there is a certain degree of disagreement between some works and audience expectations,such as expressing the superficial life,lacking heavy sense of the theme,the artificial setting of the plot,short,simple form of creation in the narration,distortion of the farmer image,strong secular symbolism,etc.It is believed that TV aesthetics needs to be combined with the audience expectation theory,and the creation of TV drama works with rural theme should consciously establish expectation regulations to realize the integration of ideological,artistic and appreciative,so as to improve the quality of creation and seek better development.
作者
唐卓
TANG Zhuo(College of Journalism and Cmmunication, Jilin Normal University, Changchun 130000, China)
出处
《沈阳大学学报（社会科学版）》
2021年第3期332-336,共5页
Journal of Shenyang University:Social Science
基金
吉林省四平市社会科学基金资助项目:四平市“三农”题材文艺合作与乡村振兴战略的文化内涵研究(SPSK2019-43)。
关键词
东北农村
电视剧
创作
期待视界
rural in Northeast China
TV drama works
creation
expectation horizon
