摘要
该文为作者所创伏羲学的第三部分《青铜之道》系列论文之十。根据考古、文献双重证据,梳理夏商周青铜器主体纹样饕餮纹的两千年正名史,辨析错误命名"饕餮纹""蚩尤纹""兽面纹"的致误原因,论证饕餮纹是"神面纹"即"天帝纹"。
This paper is the tenth of a series of theses on The Way of Bronze, which is the third part of Fuxi study. Based on the archaeological and documentary evidences, this paper analyses the two-thousand-year circulated history of the Emperor of Heaven with Taotie curve pattern which dominates over decorations in Xia, Shang and Zhou dynasties, explains the causes for the misnomer "Taotie", "Chi" and "animal face" pattern, and demonstrates that the Taotie curve pattern is god face pattern, namely, the pattern of the Emperor of Heaven.
出处
《社会科学论坛》
2021年第4期4-29,共26页
Tribune of Social Sciences
关键词
蚩尤作兵
大禹铸鼎
铸鼎象物
饕餮纹
蚩尤纹
兽面纹
神面纹
天帝纹
“饕餮”神话
“黄帝四面”神话
天帝乘龙巡天图
The rebellion of Chiyou
"Xia cast the Nine Tripods"
Tripods Symbolizing
Taotie pattern
animal mask motif
god face pattern
pattern of the Emperor of Heaven
the legend of Taotie
the legend of Huangdi unifying China
"the Emperor of Heaven touring the heaven by riding dragon"
