摘要
中国与东盟建立对话关系已迈入而立之年,构建了更为紧密的中国—东盟艺术合作领域。2015年印尼甘美兰音乐在广西开始传播,以广西艺术学院为研习主体。研习遵循文化哲学的主体性原则,以认识和交互维度连接起研习者与传播者之间的音乐文化互动关系,在触及中国古代铜鼓、铜锣文化的历史温度之余,从跨文化传播视域探寻音乐习俗模式的同构现象。新常态下,不断拓展中国—东盟音乐的研习方式对“一带一路”建设民心相通、文化互鉴的格局有着深远之意。
China and ASEAN countries have gradually deepened exchanges to promote cooperation in the field of China-ASEAN arts.In 2015,Indonesian Gamelan music began to spread in Guangxi and was adopted by Guangxi Arts University as its focus of study.The present study follows the principle of subjectivity in cultural philosophy,and forms an interactive relationship of music culture between learners and communicators from a cognitive and interactive standpoint.Interdisciplinary studies can enhance the understanding of characteristic features of Southeast Asia gong orchestral music culture and explore the cross-cultural value of flexible communication.Mutual learning can deepen China-ASEAN musical and cultural exchanges,and have far-reaching implications for the One Belt and One Road Initiative in building a strategic pattern of people-to-people bonds and mutual cultural learning.
作者
楚卓
鲁松
CHU Zhuo;LU Song
出处
《艺术探索》
CSSCI
2021年第4期35-41,共7页
Arts Exploration
基金
广西高校人文社会科学重点研究基地“中国—东盟音乐文化交流与研究中心”研究成果。
关键词
印尼甘美兰
研习
原则与行为
中国—东盟音乐文化
Indonesian gamelan music
Study
Principle and behaviour
China-ASEAN music culture
