摘要
梅罗维茨意义上的"中区"实质上是一种被动性的"中区":"后台"在"演员"不知情、无意识的情况下被暴露在"前台"中。本文在以"本真"统合"后台"与"流露"、承认明星具有神性的前提下,结合明星在生活类综艺节目中主动暴露世俗"本真"的实践,试图开掘中区理论的主动性维度,即"主动性中区",其动态实践过程则是"中区展演":明星通过自然记录、游戏竞赛、"越位展演"三种模式主动暴露人、物、情等世俗"本真"。明星"中区展演"内含一种情感童话:通过情感手段,一切日常生活难题及其伴生的负面情绪均会被妥善消解,并走向圆满结局。由此,在理论预期上,在较为松散的情感共同体中,人们在明星的引领下进行道德立法。
The"middle stage"in the sense of Meyrowitz is essentially a passive"middle stage":"back stage"is exposed to the"front stage"without the attention and willing of’’actor’’.Under the premise of unifying the"back stage"and"revealing"with"authenticity"and admitting the divinity of stars,combined with the practice of stars actively exposing the secular"authenticity"in life variety shows,this paper tries to explore the active dimension of middle stage theory,namely"activemiddle stage",and its dynamic practice process is"performing middle stage":Through natural records,game competition,"offside performance"three modes,Stars actively expose secular"authenticity"of people,things,love.The star’s"performing middle stage"contains an emotional fairy tale:through emotional means,all daily life problems and their accompanying negative emotions will be properly resolved and go to a successful ending.Therefore,in terms of theoretical expectation,in the relatively loose emotional community,people conduct moral legislation under the guidance of stars.
作者
骆正林
宋玉生
Luo Zhenglin;Song Yusheng
出处
《新闻界》
CSSCI
北大核心
2021年第10期21-32,共12页
Journalism and Mass Communication
关键词
中区
综艺节目
明星
情感
middle stage
variety show
star
emotion
