摘要
当前,诺贝尔文学奖已成为西方文化价值体系输出的重要载体,世界各国文学作品经其选择和吸纳,遂转化为西方话语体制的组成部分。在西方“他者”价值体系审视下,五四新文化运动至今,中国作家内心一直潜藏着渴望进入世界文学创作顶层的冲动和焦虑。本文以鲁迅对诺贝尔文学奖提名的观点为基点、进一步研究新时期以来中国文学界在诺贝尔文学奖以及西方文学创作技法上所持的立场,以期呈现中国作家们从向“他者”倾斜到主动构建本土立场的历史进程。
For over a century,Nobel Prize in Literature has become an effective ideal output carrier of western civilization bit by bit.By its deliberate selection and absorption,literary works of different countries are almost integrated into the western discourse system.With the infiltration of West-otherness ideal,from the very beginning of the May 4th Movement,many Chinese writers have bear in mind the eagerness and anxiety to top the world literature.This thesis gives a detail examination of this phenomenon above and discusses about the different historical context to embody the literature process that began with Chinese writers’inclination towards western discourse until their intention of return to the Chinese nationalization today.
作者
许莹
崔铮
XU Ying(School of Journalism and Communication,Minnan Normal University,Zhangzhou Fujian 363000,China)
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2021年第10期121-124,138,共5页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2018年江苏省社科基金项目:新世纪“介入现实主义”小说研究(18ZWC007)。
关键词
诺贝尔文学奖
“他者”
本土旨归
Western-otherness
Novel Prize in Literature
nationalization intention
