摘要
毛泽东作为一名伟大的革命诗人,“立象以尽意”,将自己的思想、情感或情怀移情于形象之中。常常通过对意象的有效选择、推陈出新以及凝练生动的语言精准表现、捕捉事物的特征,实现对事物的有效移情,诗词中表达出一种独特的极为崇高的形象美;以独具个性的语言以及秒化古人诗句、巧妙用典勾画出极致的浪漫主义意境,体现丰富的革命主义内涵。读者不仅能看到他极具匠心的语言艺术,而且其诗词铺陈展开为崇高乐观的情感美学、奋发纵横的历史美学、出神入化的用典美学特征,让我们领略到到独树一帜的革命意象美学,有着极强的艺术感染力与美学价值。
Mao Zedong,as a great revolutionary poet,"sets up images to give full meaning"and transposes his thoughts,emotions or sentiments into the images.He often expresses a unique and sublime beauty of image in his poems through effective selection of imagery,new and refined language,and precise expression and capture of the characteristics of things.Readers can not only see his highly artful language art,but also his poems unfold into sublime and optimistic emotion aesthetics,vigorous and vertical historical aesthetics,and the extraordinary use of allusion aesthetics,allowing us to appreciate the unique revolutionary imagery aesthetics,which has strong artistic influence and aesthetic value.
作者
伋静
JI Jing(Zhongguo County Party School,Teaching and Research Department,He County,Anhui 238200,China)
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2021年第10期128-130,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
毛泽东诗词
革命意象
情感美学
历史美学
用典美学
Mao Zedong's poetry
revolutionary imagery
emotional aesthetics
historical aesthetics
aesthetics of allusion
