摘要
福州漆艺人在传统漆艺向现代漆艺转化的传承发展中作出具有地方特色和时代特色的新贡献。以李芝卿、高秀泉及其第一代弟子们为代表的漆艺人完成了从立体漆器向平面漆画的突破;第二代则主要在传统漆艺与来自西方艺术思潮的碰撞融合中使漆艺更具现代审美性;新时代漆艺人的任务是实现漆艺的再繁荣,使其更广泛地走进人民的生活,走向世界,实现漆艺的复兴。
Fuzhou lacquer artists have made new contributions for local and contemporary characteristics in the inheritance and development of the transformation from traditional lacquer art to modern lacquer art.Lacquer artists represented by Li Zhiqing,Gao Xiuquan and their first generation of disciples have completed the breakthrough from three-dimensional lacquer wares to flat lacquer paintings. The second generation of disciples mainly have made the lacquer art better for modern aesthetics in the collision and fusion of traditional lacquer art and Western artistic thought. The task of the current lacquer artists should be realizing the prosperity of modern lacquer art,so that modern lacquer art can integrate into people’s lives and the world more widely,thus realizing the revival of lacquer art.
出处
《中国生漆》
2021年第3期5-9,37,共6页
Journal of Chinese Lacquer
关键词
福州
现代漆艺
漆艺发展
漆艺创新
Fuzhou
modern lacquer art
development of lacquer art
innovation of lacquer art
