摘要
南岭走廊作为连接中原文化、岭南少数民族文化、海洋文化及瑶族海外文化延伸的重要通道,一直以来都未能够得到重视。田联韬先生的弟子杨民康较早地着眼于南岭走廊上苗瑶语族、壮侗语族的音乐文化研究布局,并与同门及其学生开展了对南岭走廊音乐文化的研究。厘清“通道”上民族间音乐文化在历史至当下的动态变化的过程,对于少数民族与中原地区(音乐)文化互动关系探究的研究模式建立有着重要的意义。
Nanling corridor,as an important passage connecting central China culture,Lingnan ethnic minorities’culture,sea culture and overseas Yao culture,has been not concerned for a long time.Yang Minkang,the student of Mr Tian Liantao,has been working on the musical culture layout of the Miao-Yao language family and Zhuang-Dong language family along the Nanling corridor since early years.Beside,Yang has been working with other Mr Tian’s students on the musical culture along the Nanling corridor.An investigation of the dynamic change of ethnic musical cultures from history to present along the"passage"is meaningful for the construction of the research model of the relationships between the music of ethnic minorities and central China.
作者
吴宁华
岳子威
Wu Ninghua;Yue Ziwei(Institute of Arts of Guangxi Arts University,Nanning,Guangxi,530022;School of Music and Dance,Baise University,Nanning,Guangxi,530022)
出处
《民族艺术研究》
CSSCI
2021年第5期39-47,共9页
Ethnic Art Studies
关键词
区域板块
通道
南岭走廊
多元一体
regional plate
passage
Nanling corridor
unity in diversity
