摘要
中央美术学院实验艺术学院青年教师们在"手感"展览上的陶瓷创作,虽然在陶瓷技术的把握成熟度和材料的了解角度上是"门外汉",但他们把实验艺术作为一种工作方法,以一种接地气的实际行动和新奇的视角,审视陶瓷材料工艺和景德镇,将社会现实的关注和时代变革的敏感,融入对陶瓷材料本体语言的尝试性摸索中,使得陶瓷泥性的玩味焕发出实验精神的魅力。
Although the young teachers of the CAFA School of Experimental Art are "laymen" on mastering maturity of ceramic technology and material understanding during their ceramic creation in the "hand feeling" exhibition,they take the experimental art as a working method to inspect the ceramic material technology and Jingdezhen from a public-life practical action and novel perspective,and integrate the attention to the social reality and the sensitivity to the changes of the times into the tentative exploration of the ontology language of ceramic materials,so that the playfulness of ceramic mud irradiates the charm of experimental spirit.
作者
陈明强
Chen Mingqiang(CAFA School of Experimental Art,Beijing,100000)
出处
《陶瓷研究》
2021年第5期61-63,共3页
Ceramic Studies
关键词
实验艺术
实验精神
泥性
在地性
Experimental art
experimental spirit
mud nature
and locality
