摘要
“晚唐体”在文学史上是一个沿用很久但在很长时间内没有明确界定的概念。在唐代和宋代都存在着被称为“晚唐体”的诗歌。而研究者对“晚唐体”这一唐诗流派的界定是与对唐诗的分期联系在一起的。另一方面,宋诗中的“晚唐”之风从宋初到宋末一直相沿不衰。对“晚唐体”与“晚唐诗”或贬或褒意味着诗坛风气和诗人审美追求的变化。因而,对晚唐体的研究具有重要意义。近些年来对这一问题的研究取得了一定的成果。
“Late Tang style”has long been used in the history of literature,but it has not been clearly defined for a long time.In both Tang Dynasty and Song Dynasty,there were poems called“late Tang style”.The researchers’definition of“late Tang style”is related to the classification of Tang poetry by stages.On the other hand,the style of“late Tang”in Song poetry initiated from the beginning of Song Dynasty and continued to be popular till the end of Song Dynasty.To belittle or praise“late Tang style”and“late Tang poetry”means the change of poetic atmosphere and poet’s aesthetic pursuit.Therefore,the study of late Tang style is of great significance.in recent years,the research on this problem has achieved some attainments.
作者
刘艳萍
LIU Yanping(Literature School,Lu Dong University,Yantai 264025,Shandong)
出处
《攀枝花学院学报》
2021年第6期59-64,共6页
Journal of Panzhihua University
基金
攀枝花学院省级大学生创新创业项目“攀枝花市突发公共卫生事件应急防控策略研究(S202011360077)”和“攀枝花市突发公共卫生事件网络舆情现状与应急机制构建研究”(S202011360038)。
关键词
晚唐体
姚贾
永嘉四灵
诗歌
late Tang style
Yao Jia
Yongjia four spirits
poetry
