摘要
从中国电影对北京的呈现可以看出,电影人对自己描绘的北京城大多存有方向感和归属感。影片着重表现北京的饱经沧桑或生机勃勃,出现了权力倾轧场域、乡土社会、文化古城、精神故园、京味新市民文化空间、国都都市等实质性空间意象。他们自觉承担起城市意象塑造和社会变迁叙述的重任。中国电影一方面体现了创作者对民族传统文化精神沦陷和民族文化意识淡漠的深切忧虑,另一方面又不禁感慨传统文化桎梏现代文明的消极因素。这种对城市的记忆、想象和对历史的感怀,蕴含着文化怀旧与文化批判的复杂情愫。
From the representations of Beijing in Chinese films,it can be noticed that most filmmakers have a sense of orientation and belonging toward Beijing in their depictions.These films focus on its vicissitudes or vitality with substantive spatial images such as,a field of power struggle,a rural society,an ancient cultural city,a spiritual hometown,a cultural space for new citizens with Beijing flavor,and the national capital city etc.They consciously undertake the important mission of shaping urban images and narrating social changes.On the one hand,Chinese films reflect the creators’deep concern about the decline of the traditional national culture spirit and the indifference to national cultural awareness.On the other hand,they cannot help discerning the negative factors with which traditional culture shackles modern civilization.This memory and imagination of Beijing city and the sentiments toward the history imply the complex feelings of cultural nostalgia and cultural criticism.
作者
储双月
CHU Shuangyue(Institute of Film and Television,Chinese National Academy of Arts,Beijing 100029,China)
出处
《贵州大学学报（艺术版）》
2021年第6期45-53,共9页
Journal of Guizhou University Art Edition
关键词
文化怀旧
文化批判
共同体
京味
cultural nostalgia
cultural criticism
community
Beijing flavor
