摘要
《毛诗序》主张"诗"有"六义","风"占据首位,统摄其他"五义",成为贯穿其中的思想主旨。作者据"风"解释"大雅""小雅""颂"之义涵,依"风"确定"诗"之道德教化与政治教化的功能,以"风"为根柢,提出了一系列崭新的诗学命题,如"诗志"说、"情礼"与"情性"说、"正变"与"美刺"说等等,确立了一种比较完整的思想结构,奠立了汉唐时期儒家诗学思想的基石。从儒家"诗"之经典诠释来看,《论语》首开以"兴"论"诗"之思想传统,"兴"之内向诠释理路与"思无邪"思想主旨一致,"诗"由此通向了孔子之"仁"的道德世界与思想世界。《毛诗序》以"风以动之,教以化之"为思想主导,"风"之外向诠释理路注重外在的礼义制约与道德规范。早期儒家与汉代儒家的诗学思想旨趣之差异,由此可窥一斑。
Mao Shi Xu advocates that"Poetry"has"six meanings".Among them,"Wind"occupies the first place and dominates other"five meanings".It has become the ideological theme running through them.The author explaines the meaning of"Da Ya","Xiao Ya"and"Song"according to"Wind",determines the function of moral and political education of"Poetry"according to"Wind",and put forward a series of temporary new poetic propositions based on"Wind",such as"the aspiration of poetry","theory of emotion and propriety and temperament","theory of positive change and Mei Ci",and establishes a relatively complete ideological structure.It establishes the cornerstone of Confucian poetics in the Han and Tang Dynasties.From the classical interpretation of Confucian"Poetry",the Analects first openes the ideological tradition of"Xing"on"Poetry",the internal interpretation of"Xing"is consistent with the ideological theme of"Si Wu Xie",and"Poetry"leads to the moral and ideological world of Confucius’s"Ren".Mao Shi Xu takes"the wind moves it and the teaching changes it"as the ideological guidance."Wind"interprets the logic from the outside and paid attention to the external constraints of restriction of rite and norm of morality.We can see the difference between the poetic ideas of early Confucianism and Confucianism in the Han Dynasty.
作者
许春华
王欣
Xu Chunhua;Wang Xin
出处
《东岳论丛》
CSSCI
北大核心
2021年第11期170-175,192,共7页
DongYue Tribune
