摘要
诺贝尔文学奖获得者奥尔加·托卡尔丘克在《白天的房子,夜晚的房子》中对文体进行了大胆的颠覆与创新,使得该文本呈现出多维度的开拓性。这种多维度的开拓性涉及百衲衣策略、“互文性”共通、青蛙视角等层面,几个层面皆交融于非线性共存叙事美学之中。“百衲衣”策略是将众多“碎布片”式的故事相互缝缀,咬合共存;“互文性”共通是通过“互文方法”将各种文本的边界打破,联通共存;青蛙视角是通过微小视角向内窥探而后再外化大世界,内外共存。这三个维度从日常生活到波兰历史,再到人类共同困境,层层递进,彼此交融,共同构织了一个独特的非线性共存的迷人世界。
Olga Tocalchuk,who was announced as the Nobel Prize winner by Swedish Academy in 2019,made bold subversion and innovation in the style of House of Day,House of Night,which made the text show multi-dimensional pioneering.This multi-dimensional pioneering involves patchwork strategy,inter-textuality,frog perspective and other aspects,which are unified in the non-linear coexistence narrative aesthetics.The strategy of patchwork clothing is to sew and co-exist many rags like stories through"Dreams".Inter-textuality is to break the boundary of social text,others'classic text and self-other text through intertextuality method,to connect and coexist.Frog's perspective is to explore the world from the micro perspective and then to externalize the world.These three dimensions go forward from daily life to Polish history and then to the common predicament of human in an accelerating and blending way,and have formed a unique and charming world of non-linear coexistence.
作者
王金凤
WANG Jinfeng(College of Literature,Wuhan University,Wuhan,Hubei,430072,China)
出处
《西安石油大学学报(社会科学版)》
2021年第6期99-105,共7页
Journal of Xi’an Shiyou University:Social Science Edition
基金
国家社会科学基金后期资助项目“19世纪以来中西文学中的异国形象研究”(20FWWB020)。
关键词
《白天的房子
夜晚的房子》
百衲衣
互文性
青蛙视角
叙事策略
House of Day,House of Night
patchwork strategy
inter-textuality
frog's perspective
narrative strategy