摘要
随着媒介文化对当代日常生活的不断渗透,艺术领域中的概念内涵和外延变得含混、复杂和多样化,不再像传统艺术的分类那样具有确定性和单一性,同时艺术品自身的创造和传达形式也变得陌生难解,甚至人们审美接受的趣味与方式也发生了嬗变。因此关注艺术内涵的界定、艺术边界的打破、媒介变革对艺术形式的影响以及视觉影像文化的霸权等,有利于更好地了解媒介变革对当代艺术发展和受众审美趣味的影响与渗透,以促进艺术审美理论和艺术学学科建设更好地发展。
With the continuous penetration of media culture into contemporary daily life, the conceptual connotations and extensions in the art field have become ambiguous, complex and diversified. They are no longer as deterministic and unitary as the classification of traditional art. At the same time, the forms of creation and communication of works of art themselves have become unfamiliar and difficult to understand, and even the taste and way of people’s aesthetic acceptance changed too. Therefore, paying attention to the definition of artistic connotation, the breaking of artistic boundaries, the influence of media transformation on art forms, and the hegemony of visual image culture are conducive to a better understanding of the penetration and influence of media transformation on the development of contemporary art and the aesthetic taste of audiences, so as to promote the development of aesthetic theory of art and the discipline construction of art.
作者
吴衍发
张文杰
Wu Yanfa;Zhang Wenjie(School of Art,Anhui University of Finance and Economics,Bengbu233030,Anhui,China)
出处
《学术探索》
CSSCI
2021年第12期129-133,共5页
Academic Exploration
基金
国家社科基金艺术学重大项目(19ZD01)
2019年度安徽高校人文社会科学研究重大项目(SK2019ZD35)
2020年度滁州学院校级科研启动基金资助项目(2020qd29)。
关键词
媒介变革
艺术观念
审美趣味
media revolution
artistic concept
aesthetic taste
