摘要
坐歌堂作为壮族年节期间开展的民歌仪式活动,在具备仪式性特征的同时,所展现的结构特征又能够反映壮族人民传统的交际模式。壮族是极为善于歌唱的民族,民歌文化贯穿于该民族历史发展的始末,进而呈现了以仪式为结构、以交际为功能的坐歌堂。从更深层次来看,坐歌堂仪式结构体现了壮族人口"大分散、小聚居"的形态特征,而仪式中所应用的民歌文本又承载了壮族历史中丰富而又灿烂的民歌文化与民族文化。因此,对于坐歌堂仪式的研究并非仅仅对其仪式结构进行描述性分析,更应结合壮族的族性特征展开文化的解读,探究其所体现的民族文化以及在民族文化中所承载的功能。
As a folk song ritual activity carried out during the Zhuang new year’s festival, the ceremony, Zuogetang not only has the ritual characteristics, but also reflects the traditional communication mode of the people from Zhuang Ethnic Group. Zhuang is a minority ethnic group that is very good at singing. Folk song culture runs through the beginning and end of the nation’s historical development, and then presents the ceremony--Zuogetang as the structure and communication as the function. From a deeper level, the ritual structure of sitting song hall reflects the morphological characteristics of "an extensive dispersion with localized concentrations" of Zhuang people, and the texts of folk song used in the ceremony carries the rich and brilliant relevant culture and ethnic culture in Zhuang history. Therefore, the research on the "Zuogetang" ceremony is not only a descriptive analysis of its ritual structure, but also a cultural interpretation combined with the ethnic characteristics of the Zhuang ethnic group to explore relevant ethnic culture and functions.
作者
沈洁
SHEN Jie(Musical School y Nanjing Normal University,Nanjing,Jiangsu 210097)
出处
《艺术百家》
CSSCI
北大核心
2021年第6期93-99,共7页
Hundred Schools In Arts
关键词
壮族
坐歌堂
仪式文化
文化功能
Zhuang Ethnic Group
Zuogetang
Ritual Culture
Cultural Functions
