摘要
《荒原狼》是20世纪德裔作家赫尔曼·黑塞所著的一部具有强烈现代性的长篇小说,叙述了20世纪德国一位具有精神危机的中年人哈利·哈拉自我救赎的故事。在否定主义美学视域下,《荒原狼》的形式结构与思想内容都体现了"本体性否定"所指涉的独特否定性。小说中核心人物哈利·哈拉对自我的新的认知,实际上是对现有自我和既有世界的否定,他的精神拯救之路就是"否定—创造"之路。赫尔曼·黑塞的《荒原狼》表明,现代社会中人的自我反思与新创之路一直在向前延伸,文学对人精神世界的探索仍未山穷水尽。
Der Steppenwolf is a novel with strong modernity written by Herman Hesse,a German writer of the 20th century.It describes the course of self-redemption of Harry Haller,a middle-aged man with spiritual crisis in Germany in the 20th century.The new cognition of self of Harry Haller,the core character in the novel,is actually the negation of the existing self and the existing world.The way of his spiritual salvation is the way of “negationcreation”.Herman Hesse’s Der Steppenwolf shows that the road of self-reflection and innovation in modern society has been extending,and the exploration of human spiritual world in literature is not exhausted.
作者
于锦江
YU Jinjiang(College of Literature,Heilongjiang University,Harbin 150000,China)
关键词
西方现代小说
《荒原狼》
否定主义美学
本体性否定
自我建构
western modern novels
Der Steppenwolf
Negativist Aesthetics
ontological negation
self-construction
