摘要
可以提出一种基于实践的电影/媒介研究进路,以此表明并不存在所谓"固定""独特"的电影/媒介,不同的观看实践形式使电影/媒介在交流信息、组织关系等方面展现出其殊异性。由此种殊异性出发,观众与世界的关系被持续变化的媒介实践不断重置。与传统意义上的传播研究不同,作为媒介的电影不仅仅指向可见的影像文本或显性的物质实体,更代表了观众通过影像观看实践与外部世界建立联系的努力。电影/媒介研究由是不仅仅是对于影像本身的关切,更关乎人们如何通过对影像的观看实现其"在世之在"。
This article attempts to propose a practical approach to film/media research,to show that film/medium is not a“fixed”or“unique”concept.Different media practices lead to film/medium particularities in the process of exchanging information and organizing relationships.Due to the particularities,the relationship between the audience and the world is constantly reset by the ever-changing media practice.Different from the traditional communication research,this article holds that film as a medium,is not only a visible video text and an explicit material entity itself,but also an embodiment of the audience’s efforts to establish connection with the outside world through watching moving images.Therefore,film/media research should not only focus on images,but also on how audience achieve“being in the world”through the practice of watching films.
作者
沈荟
钱佳湧
SHEN Hui;QIAN Jiayong(School of Journalism,and Communication,Shanghai University,Shanghai 200072,China)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2022年第1期54-73,共20页
Journal of Shanghai University(Social Sciences Edition)
