摘要
“兴”与“隐喻”分别是标志中西方诗歌和诗学特质的核心范畴。中国诗学之“兴”与西方诗学之“隐喻”是各自发生发展的,原本彼此并无交集和影响。二者的比较研究始于近现代中西方的诗学译介和中国现代学者对《诗经》“比兴”的阐发。“兴”与“隐喻”之比较成为一个持续百年至今仍未圆满解决的学术难题。“兴”与“隐喻”的比较研究应采用中西互释的“打通”性研究思路,从意涵、文化根源、哲学理论基础、思维方式与心理过程、语言表达和修辞方式、诗学功能和美感效应以及美学意义和目标追求等七个方面加以考察。
“Xing”and“metaphor”are marked as important core category of characteristics of Chinese and Western poetry and poetics,respectively.The comparison between“xring”and“metaphor”has remained as an unsolved academic difficulty lasting for over a century until now.We should adopt“bridging”research approach of mutual interpretation between China and the West in the comparative study of“xring”and“metaphor,”and make breakthroughs in seven aspects:conno-tation,cultural origin,theoretical basis of philosophy,ways of thinking and mental processes,linguistic expression and rhetoric,poetic function and aesthetic effect,and aesthetic meaning and goal pursuit.
出处
《中国文学批评》
CSSCI
北大核心
2022年第1期98-105,M0005,共9页
Chinese Journal of Literary Criticism
基金
教育部重点人文基地重大项目“中华文化精神的文学表征研究”(16IID750008)阶段性成果。
