摘要
在少数民族电影中,音乐叙事不仅是电影叙事的重要策略,还是促进民族身份认同的标识,激发民族共同情感、形塑民族共同体文化的重要因素。少数民族电影在不同时期分别采取了“一体多元”的“同一性”与“多元一体”的“异质性”的音乐叙事策略,促进民族成员对中华民族共同体的认同。新世纪以来,少数民族电影对民族音乐的“共生共情”与“共治共赢”进行了探讨,绘制出各个民族携手共进、共同走向新文化共同体的美好图景,这些影像故事可为我国电影形塑中华民族共同体意识提供参考与借鉴。
In minority films, music narration is not only an important strategy of film narration, but also an important factor to promote national identity, stimulate national common feelings and shape national community culture.In different periods, minority films adopt the music narrative strategies of "oneness and diversity" and "heterogeneity" of "diversity and unity" to promote ethnic members′ identification with the Chinese national community.Since the beginning of the new century, minority films have explored the "symbiosis and empathy" and "co-governance and win-win" of national music, drawing a beautiful picture of all ethnic groups working hand in hand to move towards a new cultural community.These image stories can provide reference for Chinese films to shape the Chinese national community consciousness.
作者
熊立
XIONG Li(School of Literature and Communication,Guangdong Polytechnic Normal University,Guangzhou 510665,Guangdong,China)
出处
《黔南民族师范学院学报》
2022年第1期1-8,共8页
Journal of Qiannan Normal University for Nationalities
基金
国家社科基金艺术学项目“少数民族电影英雄叙事与民族共同体建构研究”(18EC212)
广东技术师范大学校级科研项目(2021SDKYB023)阶段性成果。
关键词
少数民族电影
音乐叙事
民族共同体意识
minority film
music narration
national community consciousness
