摘要
以歌代言的壮族诗性传统的传承主体以丰沛的情感表达对宇宙、天地、山川以及圣灵的崇敬之情,也通过民歌演唱表达喜怒哀乐的情感。壮族歌者心之所系、情之所寄、梦之所萦、魂之所牵和灵之所托,皆同他们的心灵感悟和情感表达密切相关,他们的情感生活实乃壮族诗性传统得以传承与延续的人文根基。因此,作为非物质文化遗产的壮族民歌习俗的保护与传承,应当涵容世世代代壮民族的情感体验和壮阔情怀,通过体悟壮族的情感世界,探索壮族诗性传统的传承,领悟壮族诗性传统的文化内涵和核心精神,感知壮族诗性传统中蕴含的情感表达与心灵寄托的文化智慧,唤醒日趋淡漠的诗性文化记忆,铭记壮族经历过的欢乐与忧伤,重振民族文化的自信心,建立起符合天地人伦本性的人与自然、人与社会、人与人之间的情感体悟与表达机制,凝聚民族复兴的文化源泉。
The main heirs of the poetic tradition of the Zhuang express their reverence-in song-for the universe,heaven and earth,mountains and rivers,and the holy spirit,making use of all sorts of emotional overtones.In addition,it also relates emotional experiences like e.g.pleasure or anger,sorrow or joy,using folk songs.The emotional life of Zhuang singers actually lays a humanistic foundation for the passing on and continuation of the Zhuang poetic tradition.Therefore,as intangible cultural heritage,the protection and legacy of Zhuang folk music should retain the emotional expressions and magnificent feelings of the Zhuang people.Understanding the emotional world of the Zhuang people,we should explore an effective path to secure and carry forward the Zhuang poetic tradition.Humans are emotional beings,and the reason why people are considered human is that they have a rich inner emotional world.Anthropology,as a comprehensive discipline to study human anatomy and social culture,always pays attention to human s spiritual realm,emotional experience,and emotional expression,all in different ways and from different angles.Throughout the overall process of creation and passing on of Zhuang s poetry,the emotional experience in Zhuang folk songs touches upon the nature and culture,national hatred and family feud,life s journeys of birth,old age,sickness and death,and the Zhuang people s happiness,anger,sorrow,and joy.All such feelings and events are fully shared in many contexts,such as the public sphere space and etiquette rules.The continuation of the poetic tradition of the Zhuang is not just the collection and digital protection of Zhuang folk songs,but also the protection and tradition of a spiritual experience model.The problem is that poetic subjects in different periods of time carry different emotional worlds and expressions.To continue the poetic conventions of the Zhuang,it is also necessary to use the theory of emotional anthropology as to reflect on contemporary changes in the emotional universe of the Zhuang people.In particular,it is necessary to understand the awe of sacredness,realize their feelings towards family and country,and build new mechanisms that can keep Zhuang poetry alive,in all its sentimental expressions.Through in-depth understanding of the ethnic,national,ethical,life-events related,and positive views implied in the poetic culture of the Zhuang nationality,we can:(1)activate the poetic cultural genes and aesthetic expressions of imagination,symbolism,metaphors,and meter that are implicit in the lyrical tradition of the Zhuang people;(2)let the main heirs of modern Zhuang culture recognize the cultural connotations and soul of the Zhuang poetic tradition,and understand the emotional expressions and cultural wisdom hidden within Zhuang poetry;(3)resuscitate the increasingly poetic cultural memory so as to bring to remembrance the joy and sorrow that the Zhuang people have been through;(4)rebuild the self-confidence of ethnic culture,and establish an emotional and intelligent exchange between human and nature,human and society,and among the people themselves,all in a relevant and ethical way;(5)hold together the cultural sources of national rejuvenation,and promote the progress of the Zhuang people and the realization of their dreams.
作者
杨丽萍
赖程程
Yang Liping(Department of Education,Guangxi Normal University,541004,Guilin,Guangxi,China)
出处
《民族学刊》
CSSCI
北大核心
2021年第10期91-97,128,共8页
Journal of Ethnology
基金
国家社会科学基金项目“壮族非物质文化遗产的诗性传统与文化建设的整合研究”(14BZW170)
广西民族教育研究发展中心“壮族文化传承与广西民族学校课程教学改革的实践研究”(2020MJYB002)阶段性成果。
关键词
情感表达
壮族文化
情感人类学
诗性传统
emotional expression
Zhuang culture
emotional anthropology
poetic tradition
