摘要
中国电影产业依然处在调养恢复期,但票房增长速度和规模均全球领先。电影企业从做大做强走向各“兵种”的联合并存,共同以生存求发展。主题性创作和“头部”作品竞争力明显,国产电影份额优势突出。观众人次增长乏力、优质影片供给不足、影院面临亏损威胁、非节假日消费需求下降等现象则表明后疫情影响尚未结束。增强市场活力、激发产业动力、优化有序管理、增加优质电影多元供给,才能用产业高原托举起中国电影新高峰。
The Chinese film industry is still in the recovery period, but the growth rate and scale of the box office are still ahead of the world. Film enterprises have moved from being bigger and stronger to seeking coexistence and common developments through survival. The competitiveness of thematic creation and outstanding works is obvious, and the advantage of domestic films is prominent. However, the sluggish growth of moviegoers, the insufficient supply of high-quality films, the threat of loss faced by film theatres, and the decline of consumption demand in non-holidays altogether indicate that the impact of post-epidemic situation still exists. Only by enhancing market vitality, stimulating industrial power, optimizing industrial management and increasing the diversified supply of high-quality films, can we achieve a new development peak of Chinese films.
作者
尹鸿
孙俨斌
Yin Hong;Sun Yanbin
出处
《电影艺术》
CSSCI
北大核心
2022年第2期59-70,共12页
Film Art
