摘要
当下湘西南绥宁县苗族的“祭狗”仪式因为多方面的影响,它的表演时间不再是“聚合式”的,而是根据需要随时举办;仪式性质也从之前的神圣性转向娱乐性;表演内容更加多元化,与其它“非遗”项目进行了结合与创造;仪式过程更具随意性,按照不同语境进行删减。所以现在的“祭狗”仪式已经形成了当地一种追求旅游经济利益、传承人个人利益、精英人士利益等多方“共谋”下的仪式表演。
At present, due to the influences of many factors, the performance time of Miao ethnic group’s “dog worship” ceremony in Suining County, southwest Hunan province is no longer “convergent”, but is held at any time as needed. The ritual nature has also changed from the previous sanctity to entertainment;the performance contents become more diversified, combining with other intangible cultural heritage projects;the ritual process is more arbitrary that can be tailored to different contexts. Therefore, “dog worship” ceremony has evolved to be a ritual performance “conspired” by different parties of interests, such as, the local party pursuing economic interests in terms of tourism, inheritors’ personal interests and the interests of elites.
作者
余媛
YU Yuan(Music College,Hunan Normal University,Changsha,Hunan 410081,China)
出处
《贵州大学学报（艺术版）》
2022年第3期63-73,共11页
Journal of Guizhou University Art Edition
关键词
苗族
“祭狗”仪式
表演理论
形态分析
Miao ethnic group
“dog worship” ceremony
performance theory
morphological analysis
