摘要
在古希腊技与艺合称技艺,并不区分。人文主义在文艺复兴时期与18世纪启蒙时代形成了两大高峰,它们处于印刷媒介时代,印刷媒介时代人文与科技分割。随着20世纪末电脑、互联网与人工智能出现,人与技术合体,带来技术与人文融合,一个背离过去人文知识范型的新的技术人文阶段到来。技术人文是非观念化的,具有新媒介塑造的形式化价值范式与美感化新生活方式的新形态。
In ancient Greece,technique and art were collectively referred to as techne without distinction.Humanism reached its two peaks in the Renaissance and also in the Enlightenment of the 18th Century,both of which came in the era of print media.In that era,humanity and technique were separated from each other.With the emergence of computers,the Internet as well as artificial intelligence at the end of the 20th century,the combination of man and machine brought about the integration of technique and human culture,or rather,a new stage of technological humanism that deviates from the past paradigm of humanistic knowledge.Technological humanity is non-ideological with the formalized value paradigm shaped by the new media and new forms that aestheticize new lifestyles.
作者
易晓明
YI Xiao-ming(Center for Transcultural&Transmedia Studies,Capital Normal University,Beijing 100048,China)
出处
《湘潭大学学报（哲学社会科学版）》
CSSCI
北大核心
2022年第1期104-110,共7页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
首都师范大学美育研究中心2020年项目“媒介美学视域下审美形式之于美育的意义”,国家社会科学基金项目“20世纪西方差异性话语的四种类型研究”(2017BZW002)。
关键词
技术人文
外观形式
感官美感
新生活方式
technological humanity
forms of outward appearance
sensuous aesthetic perception
new lifestyle
