摘要
由于后现代特质与网络时代面向,日本学者东浩纪的“资料库”理论常被用于国内网络文学批评实践之中,且介入了诸多前沿论争。该理论在国内网络文学批评中具有三重意义:其一,为辨析界定网络文学“抄袭”问题提供了新见解;其二,为讨论网络文学“真实性”问题提供了新思路;其三,为网络文学研究中的“断代”问题提供了新依据。但因为相异的文化语境,以及中日大众文化发展的差异,中国学者淡化了东浩纪所强调的“动物化”与“大叙事凋零”,同时也产生了理论误读。由此可见,“资料库”理论为国内网络批评带来了积极影响,也在理论发展中不断产生新变,从而服务于不断变革的网络文学作品。
Due to the characteristics of postmodernity and the trend of the Internet age,“Database”Theory initiated by Japanese scholar Hiroki Azuma is often used in the Internet literary criticisms in China,which has given rise to many cutting-edge debates.The theory has three implications in literary criticism.First,it provides new insights for the identification and definition of“plagiarism”in online literature;second,it offers new ideas for the discussion of the“authenticity”of online literature;and third,it provides new basis for the“periodization”in online literature research.However,due to the different cultural contexts and the differences in the development of popular culture between China and Japan,Chinese scholars have downplayed the“animalization”and the“withering of grand narratives”emphasized by Hiroki Azuma.Meanwhile,theoretical misinterpretation has been brought about.It can be seen that“Database”Theory has brought a positive impact on online criticism and continuously led to new variables in theoretical evolution,thus serving the constantly changing online literature.
作者
权绘锦
刘竺岩
Quan Huijin;Liu Zhuyan
出处
《延边大学学报（社会科学版）》
2022年第3期73-80,143,共9页
Journal of Yanbian University：Social Science Edition
关键词
网络文学批评
日本学者东浩纪
“资料库”理论
后现代
Internet literary criticism
Japanese scholar Hiroki Azuma
“Database”Theory
postmodernity
