摘要
在我国古代文学作品中,关于女性外貌、性格、善恶的描绘不可胜数。传世文献中的女性形象以“审美”为主,即使“外丑”也能以“内美”补充。然而,敦煌变文中女性的“美善”与“丑恶”具有对立性。变文作为民间说唱艺术,其近乎“脸谱式”的人物塑造将女性分为胸怀大义、贞洁善良的正面形象和凶狠恶毒、形神皆丑的负面形象。而呈现出二元对立女性形象的原因是复杂的,既与儒释精神的浸染有关,也与变文作为说唱艺术和时代审美心理息息相关。
In ancient Chinese literary works,there are countless descriptions of women’s appearance,character,good and evil.The female images in the handed down literature are mainly“aesthetic”,and even the“external ugliness”can be supplemented by“internal beauty”.However,the“beauty and goodness”and“ugliness and evil”of women in Dunhuang Bianwen are opposite.As a folk rap art,Bianwen’s almost“facebook”characterization divides women into positive images of righteousness,chastity and kindness and negative images of ferocity,malice and ugliness.The reasons for the presentation of binary opposition female images are complex,which is not only related to the infiltration of Confucianism and Buddhism spirit,but also closely related to Bianwen being a rap art and the aesthetic psychology of the times.
作者
陈蕾
韦正春
CHEN Lei;WEI Zhengchun(School of Literature,Guizhou Normal University,Guiyang 550001,China;School of Literature,Shaanxi Normal University,Xi’an 710062,China)
出处
《湖南人文科技学院学报》
2022年第3期36-41,共6页
Journal of Hunan University of Humanities,Science and Technology
关键词
敦煌变文
女性善恶
美学价值
Dunhuang Bianwen
the good and evil of female
aesthetic value
