摘要
19世纪以浮世绘为代表的日本美术开始逐步影响西方美术的风格演变,这一历经数百年形成的艺术风格在西方艺术中展现出东方性格。一方面,浮世绘的内在思想与西方美学理想产生共鸣,进而被西方艺术家以绘画作品解读重构;另一方面,浮世绘独特的形式特征,源自中国唐代版刻经书以及明朝刻本插图。文章即从形式分析的角度,比较中国传统绘画与日本浮世绘之间的异同,探讨其中的形式元素对西方绘画的影响。
In the 19 th century,Japanese art represented by ukiyo began to gradually influence the evolution of Western art,this style of art which has gone through hundreds of years presented character of eastern world in the western art.On the one hand,this is because its inner thoughts which have been interpreted by western artists in their works have sympathy with western aesthetic ideas;on the other hand,this due to its unique formal characters,which come from Chinese Tang and Ming Dynasty illustrious scriptures.This article will compare Chinese traditional painting and Japanese ukiyo from the perspective of formal analysis,in order to discuss its formal elements’influence on western art.
作者
赵亮
ZHAO Liang(School of Fine Arts,Nanjing Normal University,Nanjing,Jiangsu 210097)
出处
《艺术百家》
CSSCI
北大核心
2022年第2期150-155,共6页
Hundred Schools In Arts
基金
2019年度南京市艺术基金项目“春分时节”(项目编号:20190218-03)阶段性成果之一。
关键词
浮世绘
中国刻本插图
形式分析
西方现代艺术
Ukiyo
Chinese Illustrious Scriptures
Formal Analysis
Western Modern Art
