摘要
高平开化寺大雄宝殿中的壁画是我国现存唯一一处较大规模的北宋寺观壁画,其中北壁东次间中部的“弥勒上生经变”,以“界画”的形式,表现了宏大的兜率天宫建筑场景。本文从建筑学视角出发,基于壁画中建筑图像和色彩的复原制图,分析这幅经变画的建筑形制特点,解读其构图规律,并探讨开化寺大殿壁画的观看方式和叙事意图。
The murals in the main hall of Kaihua Monastery in Gaoping,Shanxi province,are the only paintings that have survived on the walls of a Northern-Song temple/monastery.A large-scale architectural boundary painting(jiehua)on the east side of the north wall depicts Maitreya’s ascension with a grand scene of Tusita Heaven.The paper explores this representation(transformation tableau or jingbian)of the heavenly palace of the Buddha through virtual restoration and comparative analysis,and identifies its architectural characteristics and rules of composition.The paper then suggests a way of walking through the inside of the monastery based on the narrative role of the transformation tableau.
作者
杨怡菲
李路珂
赵令杰
YANG Yifei;LI Luke;ZHAO Lingjie
出处
《建筑史学刊》
2022年第2期144-159,共16页
Journal of Architectural History
关键词
开化寺
北宋
建筑画
兜率天宫
弥勒上生经变
Kaihua Monastery
Northern Song
architectural painting
Tusita Heaven
transformation tableau of Maitreya’s ascension
