摘要
中国宫廷图案作为封建社会思想观念的外化形态,成为统治阶级权力和等级的标志与象征。其中最有代表性的当属明清两代的官服补子图案,它将权力与等级的标志加以系列化,更加等级分明。本文通过调研分析的方法,研究明清官服补子在形象及意识形态上的图案化表现。通过对明清官服补子图案的分析和探索,加深了对中国传统图案审美特征的认识,并得出明清官服补子既注重图案的内涵意义,又注重图案的表现形式,并使二者达到完美统一。深感只有深入发掘传统图案的精髓才能更好地继承民族文化,将其融入当代设计之中,从而对弘扬民族文化有所裨益。
As an external form of feudal ideology,Chinese palace design became a symbol and symbol of Ruling class power and rank.One of the most representative of the Ming and Qing Dynasties,the official clothing patchwork pattern,it will be the power and rank of the symbol to be serialized,more hierarchical.Through the method of Investigation and analysis,this paper studies the Image and ideological pictorial expression of the official clothing complement in the Ming and Qing dynasties.Through the analysis and exploration of the patterns of the official clothing patchwork in the Ming and Qing dynasties,this paper deepens the understanding of the aesthetic features of the traditional Chinese patterns,and obtains that the official clothing patchwork in the Ming and Qing dynasties not only paid attention to the connotation of the patterns,but also paid attention to the expressive forms of the patterns,and make the two achieve perfect unity.It is felt that only by excavating the essence of the traditional pattern can we inherit the national culture and integrate it into the contemporary design,which is beneficial to carry forward the national culture.
作者
王天歌
王姝欣
WANG Tiange;WANG Shuxin(He University,Shenyang 110000,China)
出处
《西部皮革》
2022年第12期47-49,共3页
West Leather
关键词
补子图案
起源与发展
标志与象征
表现形式
complement pattern
origin and development
symbol and symbol
expression form
