摘要
创伤是战争文学研究的热点。英国战争叙事中创伤的表征的流变与哲学研究中人的主体性问题研究的发展相关。在一战前的英国战争文学叙事中,人的主体性和创伤的表征在战争文学中缺位。一战后,随着人们对主体性的关注和哲学研究中主体性的确立,现代意义上的创伤也在文学作品中有了表征,创伤叙事逐渐成为英国战争文学叙事的核心。20世纪后期至今,随着人的主体性的消解与解构,英国战争文学开始逐渐通过物叙事来呈现创伤。
The study of trauma has been a hotspot in war literature studies. This article sorts out the changes of the representation of trauma in British war narratives and explores the reasons behind such changes in the light of the development of researches on the subjectivity of man in philosophy. In the British war narratives before WWI, both the subjectivity of man and the representation of trauma in literary works were absent. After WWI, with increased attention on and confirmation of the subjectivity of man, trauma in the modern sense has found its representation in literature, and trauma narratives have gradually become a core issue in British war narratives. Since the late 20th century, with the deconstruction of the subjectivity of man, trauma narratives in British war literature have started to adopt thing narrative to represent trauma.
作者
刘胡敏
杨康
Liu Humin;Yang Kang
出处
《学术研究》
CSSCI
北大核心
2022年第7期158-165,178,共9页
Academic Research
基金
国家社科基金项目“新世纪英国战争小说创伤叙事和伦理反思研究”(19BWW076)的阶段性成果。
