摘要
“中国当代美学是否已缺席了当今世界美学发展的进程?”是一个困扰着中国当代美学继续发展而又挥之不去的问题。在一定程度上,对中国当代美学“缺席”的看法是不无道理的。其与西方美学之间不对等的学科地位、交流互鉴方式以及双方在理论路径发展上的“错位”确实导致后者对于前者关注与理解的不足,造成二者之间交流的困难,并由此导致中国当代美学在西方美学视域中的“缺席”。但这种基于西方美学维度得出的判断却也忽略与遮蔽了中国当代美学发展的内在逻辑及其理论建构的意义与价值。而从中国当代美学自身发展来看,其不仅没有“缺席”于世界美学的发展,反而构成了其中不可或缺的一个重要组成部分,成为对世界美学发展的重大贡献。
Has Chinese contemporary aesthetics been absent from the process of aesthetic development of the world today?It is a lingering problem puzzling the continuous development of Chinese contemporary aesthetics.To some extent,the view of absence of Chinese contemporary aesthetics is reasonable because of the unequal subject status,the way of communication and mutual learning,as well as the dislocation in the development of theoretical path between China and Western Aesthetics.The lack of attention and understanding of Western Aesthetics on the development of Chinese aesthetics has caused difficulties in communication between the two,which has led to the absence of Chinese contemporary aesthetics in the perspective of western aesthetics.However,this judgment based on the dimension of western aesthetics also ignores and obscures the internal logic of the development of Chinese contemporary aesthetics and the significance and value of its theoretical construction.From the perspective of the development of Chinese contemporary aesthetics,it is not absent from the development of world aesthetics,or constitutes an indispensable and important part of it,which has become a major contribution to the development of world aesthetics.
作者
邢研
朱立元
XING Yan;ZHU Li-yuan(Department of Chinese,Fudan University,Shanghai 200433,China)
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2022年第5期40-48,共9页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
关键词
中国当代美学
西方美学
缺席
学科发展
理论建构
Chinese Contemporary
Western Aesthetics
Absence
Discipline Development
Theoretical Construction
