摘要
壁画作为人类古老的艺术表现形式,积聚人类历史文化、文明的发展意蕴,是古人艺术的沉淀。敦煌艺术辉煌灿烂,壁画具有非凡的“若动若静”的美感,是中国绘画艺术史不可多得的瑰宝。壁画汲取了东西方文化的精髓,融古汇今、海纳百川,具有独特的艺术性,是我国乃至世界的瑰宝。敦煌莫高窟壁画的发展及敦煌莫高窟壁画创作形式具有极强的美学风格,对后人艺术研究产生重要参考价值。
As the oldest form of artistic expression for human beings,murals accumulate the development connotation of history and civilization with the precipitation of art.In brilliant Dunhuang art,Murals are viewed as the rare treasure in art history of Chinese paintings with extraordinary moving and motionless beauty.The murals absorb the essence of Eastern and Western cultures,integrate the past and the present,and are as inclusive as the vast ocean fed by hundreds of rivers;therefore,they have unique artistry and are viewed as the treasure of China and even the world.This paper expounds the development process and the creative forms of Dunhuang Mogao Grottoes murals with strong aesthetics style,which has important reference value for the study of art of later generations.
作者
麻可
Ma Ke(Chengyi College University,Jimei University,Xiamen 361021,China)
出处
《黑河学院学报》
2022年第8期177-180,共4页
Journal of Heihe University
关键词
莫高窟
壁画
美学
Mogao Grottoes
murals
aesthetics
